Italian designer Gino Sarfatti gets his due
Back in the Spotlight
One of the most important—and innovative—Italian lighting designers of the 20th century, Gino Sarfatti (1912-1985) pioneered a variety of techniques, materials, and production ideas throughout his career. In the mid-1950s, for example, he began to work with Plexiglas, and in the early ’70s, he began to incorporate halogen bulbs into fixtures. He designed and produced several hundred lamps and lighting components and, in 1939, founded the successful Arteluce lighting firm, which eventually sold to Flos in the ’70s. Along the way, he twice earned the Compasso D’Oro for excellence in industrial design (1954 and 1955). Given all these accomplishments, it’s quite surprising (and even a bit confusing) that, until just a few years ago, Sarfatti was largely overlooked in the design history annals.
Thankfully, Sarfatti has begun to get his due. In 2012, on what would’ve been his 100th birthday, Milan’s Triennale Design Museum hosted a retrospective of Sarfatti’s work, curated by Italian designers Marco Romanelli and Sandra Severi Sarfatti (the latter is also the late Sarfatti’s daughter-in-law). That same year, Flos debuted Re-Lighting Gino Sarfatti, a collection of Sarfatti designs incorporating contemporary LED technology.
Around the same time, SilvanaEditoriale published the gorgeous tome, Gino Sarfatti: Selected Works 1938-1973, written by Romanelli and Severi Sarfatti. The book took the pair five years to research and write. Among other references, they pored over numerous vintage issues of Stile and Domus magazines (the former from the 1940s, the latter spanning the 1930s to the ’70s); designer Gio Ponti was the editor of both, and dedicated several articles over his tenure to Sarfatti and his work. The result is an in-depth profile—including over 1,000 images—of Sarfatti, both as an individual and a designer.
And this week, Severi Sarfatti will discuss the book and her famed father-in-law—in particular, his influence in design as well as some of his most iconic lighting fixtures—during an intimate event at the Wright auction house in New York. Chilean lighting designer Paola Pietrantoni (who previously worked with Severi Sarfatti at Lucepan in Milan) will moderate the conversation. A question-answer session will follow. Space is quite limited—and RSVP is essential—but for Sarfatti lovers in the New York area, this is a can’t-miss event.
*All images courtesy of Sandra Severi Sarfatti
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Text by
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Anna Carnick
Anna is Pamono’s Managing Editor. Her writing has appeared in several arts and culture publications, and she's edited over 20 books. Anna loves celebrating great artists, and seriously enjoys a good picnic.
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Model 2133 Ceiling Lamp by Gino Sarfatti for Arteluce, 1970s
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Vintage Plexiglass Table Lamps by Gino Sarfatti, Set of 2
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Suspended Lamps by Gino Sarfatti for Arteluce, 1950s, Set of 3
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Model 540 Fiberglass and Chrome Table Lamp by Gino Sarfatti for Arteluce
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600/C Table Lamp by Gino Sarfatti for Arteluce, 1966
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N°600C Lamp by Gino Sarfatti for Arteluce, 1966
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Italian 50-Bulb Chandelier by Gino Sarfatti for Flos, 1970s
Model 238-2 Wall Light by Gino Sarfatti for Arteluce, 1950s
Italian Murano Crystal and Brass Hanging Lamp by Gino Sarfatti for Arteluce, 1950s
Italian Chandelier by Gino Sarfatti for Arredoluce, 1960s
Lacquered Aluminum and Leatherette Table Lamp by Sarfatti for Arteluce, 1970s
Italian Lacquered Aluminum and Leatherette Table Lamp by Gino Sarfatti for Arteluce, 1970s
Mid-Century Italian 2097/50 Chrome Chandelier by Gino Sarfatti for Flos, 1958
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