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Herbatschek Series N°243711 Chair by Michael Thonet

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  • Herbatschek Series N°243711 Chair by Michael Thonet, Image 1
  • Herbatschek Series N°243711 Chair by Michael Thonet, Image 2
  • Herbatschek Series N°243711 Chair by Michael Thonet, Image 3
  • Herbatschek Series N°243711 Chair by Michael Thonet, Image 4
  • Herbatschek Series N°243711 Chair by Michael Thonet, Image 5
  • Herbatschek Series N°243711 Chair by Michael Thonet, Image 6
  • Herbatschek Series N°243711 Chair by Michael Thonet, Image 7
  • Herbatschek Series N°243711 Chair by Michael Thonet, Image 8
  • Herbatschek Series N°243711 Chair by Michael Thonet, Image 9

The seller assumes all responsibility for this listing.

About This Piece

Vintage Design

Thonet chair - original Herbatschek series n ° 243711 - squared seat - in black laquered beech wood and Vienna straw. Very good condition – no restauration - the chair has never been used for sitting.
Designed to ensure even load distribution, the large seat and ergonomic backrest help provide high comfort. The Thonet chair adapts perfectly to any type of environment thanks to its classic and timeless design, which will guarantee a unique and welcoming style to your premises.
In 1970, the armchairs were marketed by the Herbatschek company which obtained supplies from a former Thonet factory in Poland. Herbatschek was already a Jacob & Josef Kohn dealer in the early twentieth century in Milan. After the war, in the confusion following the separation of the brand between Piltzer and the Thonet family, this retailer continued to sell the chairs under the Thonet brand by buying them from the factory in Poland until they had a lawsuit with Thonet France which claimed the use of the brand. Since then he began to brand products with the Herbatschek name. It closed its warehouse and business in Milan in the late 1980s.

Michael Thonet
His motto, "bend or break", stems from the stubborn will of this brilliant German carpenter, Michael Thonet, to bend beech wood to make everyday objects, such as chairs. After a period of intense experimentation and several broken branches of wood, Thonet succeeded in his aim. In fact, he discovered that, in order to soften the wood fiber, which is naturally elastic, it was necessary to immerse it in a steam bath at 104 ° (for six hours), then fold it (with the force of four workers) and dry it through a shape of iron (for a further two days at 70 °). After several attempts he thus created the perfect chair: the thonet n.14 with curved backrest and seat in woven straw, a classic model widespread all over the world, exhibited in the major design museums in the world such as the MOMA in New York or the Vitra Museum. in Germany. It was 1859.

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Michael Thonet
Manufacturer Thonet
Design Period 1970 to 1979
Production Period 20th Century
Country of Manufacture Italy
Identifying Marks This piece has an attribution mark
Style Italian
Detailed Condition Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Restoration and Damage Details
Light wear consistent with age and use, Very good condition – no restauration - the chair has never been used for sitting.
Product Code RNN-1445223
Materials Wood, Straw
Color Black, wheat
Width 41 cm 41 cm
Depth 52 cm 52 cm
Height 88 cm 88 cm
Seat Height 46 cm

Shipping & Delivery

Ships from Italy
Returns Returns accepted within fourteen days of delivery, except for Made-to-order items

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Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

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About the Creator

Michael Thonet

Michael Thonet

Born in 1796 in Boppard am Rhein, Germany, carpenter and furniture designer Michael Thonet is famed for the invention of bentwood—a revolutionary process that played a key role in the development of the modern design movement.

Thonet opened his eponymous woodworking shop in his hometown in 1819. In the early 1840s, he began experimenting with bending and gluing laminated battens together, which resulted in the Boppard Chair (1841), the first furniture design to use bentwood.

During an exhibition at the Koblenz Fair in Germany in 1841, Chancellor of Vienna Prince Metternich discovered Thonet’s work and convinced him and his family to relocate to Vienna. Between 1843 and 1846, Thonet and his sons made parquet flooring for Carl Leistler and helped to furnish Liechtenstein Palace and Schwarzenberg Palace. In 1853, the company became Gebrüder Thonet (Thonet Brothers), in honor of Thonet’s five sons who would eventually inherit the hugely successful business.

In 1859, Thonet designed his company’s most renowned piece, the classic Chair No. 14, which is internationally known today as the Viennese Coffeehouse Chair. With this design, Thonet had evolved and refined his bentwood process to enabled mass production for the first time in history. Having sold over 50 million models by 1930, the No. 14 is the world’s bestselling chair.

During the 1860s, the Gebrüder Thonet opened subsidiaries across Europe. Other design classics include, Chair No. 04 for Café Daum (1849), Rocking Chair No. 1 (1860), No. 18 (1876), No. 209 (1900’s)—widely used by Le Corbusier in the 1920s—and Otto Wagner’s 247 (1904).

Thonet’s revolutionary designs inspired many designers— including Le Corbusier, Josef Hoffmann, Adolf Loos, Marcel Breuer, Alvar Aalto, Yngve Ekström, Otto Wagner, and Ludwig Mies van der Rohe—and his process allowed for the creation of elegant, lightweight, curvilinear designs that anticipated the minimalist forms associated with modernism.

By the time Thonet passed away in 1871, Gebrüder Thonet had branches in nearly all major European cities. Today the company is known as Thonet GmBh and is headquartered in Frankenberg, Germany. 

About the Maker

Thonet

Thonet

Thonet—the oldest surviving furniture company in the world—began its long life in 1819, when cabinetmaker Michael Thonet (1796-1871) established a furniture workshop in Boppard, Germany. A proponent of the Biedermeier style, he specialized in chairs, tables, and storage pieces characterized by clean lines, reduced ornamentation, and an emphasis on functionalist principles. By the 1830s, Thonet’s experiments in laminated and steam-bent wood furniture, like his famous Boppard Chair (1836), brought international acclaim. Thonet’s designs achieved a combination of lightness, durability, and comfort unknown in European furniture at the time.

A great fan of his work, Prince Metternich of Austria invited Thonet to present his designs to the Viennese court in 1842. Finding so much support there, Thonet opened a new company in Vienna in 1849. In 1853, he transferred his company to his sons, and Gebrüder Thonet was established.

Through the second half of the 19th century, Gebrüder Thonet designs grew increasingly popular with the cultural vanguard, especially among progressive design thinkers and tastemakers. One design in particular, the No. 14 Café Chair (ca. 1859), led the way to international success: the chair’s innovative bending technique was well suited to industrial production, and its rationalized, easily assembled structure allowed for efficient packing and shipping. In 1850, Anna Daum famously outfitted her fashionable Viennese café with No. 14 Chairs, and by the 1870s, Gebrüder Thonet had sales offices across Europe and the US. To date, more than 50 million No. 14 Chairs have been sold worldwide–not counting the untold pirated copies.

Iconic pieces from the traditional Gebrüder Thonet collection include Rocking Chair No. 1 (1860), No. 14 Café Chair (ca. 1859), Adolf Loos’s Café Museum Chair (1899), No. 209 Armchair (ca. 1900), Otto Wagner’s No. 247 Postal Savings Bank Chair (1904), and Josef Hoffmann’s No. 811 (1925). In the early years of the 20th century, Gebrüder Thonet also began producing designs in bent tubular steel by Bauhaus masters like Marcel Breuer, Ludwig Mies van der Rohe, and Mart Stam.

In the aftermath of World War II, Thonet lost all of its production facilities in Eastern Europe, and the sales office at Vienna’s Stephansplatz had been destroyed. Between 1945 and 1953, Georg Thonet, the great-grandson of company founder Michael Thonet, led the rebuilding. Economic success returned quickly. In the ensuing decades, the company commissioned designs from many outstanding designers, such as Verner Panton, Pierre Paulin, Norman Foster, James Irvine, Piero Lissoni, and Stefan Diez. Classic Thonet pieces can be found in museum collections around the world, including the Museum of Modern Art in New York, the Centre Pompidou and Musée d'Orsay in Paris, the Vitra Design Museum in Weil am Rhein, the Pinakothek der Moderne in Munich, the Austrian Museum of Applied Arts in Vienna, and the British Museum and the Victoria & Albert Museum in London.

In 1976 Thonet was divided into two separate German and Austrian companies, which remain independent of each other. Today, Thonet GmbH is headquartered in Frankenberg, Germany and continues to manufacture the original, bentwood and tubular steel designs alongside new pieces by contemporary, international architects and designers. Originally opened in 1861 by Thonet himself, the furniture factory TON (Továrna Ohýbaného Nábytku), which is located in what is known today as the Czech Republic, continues to manufacture Thonet designs. 

* All images courtesy of Thonet.de

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£3,815
Triennale Four-Seater Curved Sofa by Marco Zanuso for Arflex, 1960s

Adjustable Sistema Flu Lamp by Rodolfo Bonetto for Luci, 1980s

£1,794
Maker's Mark
Adjustable Sistema Flu Lamp by Rodolfo Bonetto for Luci, 1980s

Coat Hangers by Ingo Maurer for M Design, 1980s, Set of 12

£548
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Coat Hangers by Ingo Maurer for M Design, 1980s, Set of 12

Powder Blue Alky Chair by Giancarlo Piretti for Anonima Castelli, 1970s

£1,760
Powder Blue Alky Chair by Giancarlo Piretti for Anonima Castelli, 1970s

Aeron Office Chair by Herman Miller, 2000s

£1,002
Aeron Office Chair by Herman Miller, 2000s

Scricciolo Jewelry Case by Hans von Klier for Panula Agliana, 1960s

£3,815
Scricciolo Jewelry Case by Hans von Klier for Panula Agliana, 1960s

Laccio Low Tables by Marcel Breuer for Gavina, 1960s, Set of 2

£1,976
Maker's Mark
Laccio Low Tables by Marcel Breuer for Gavina, 1960s, Set of 2
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