Wooden Dining Chair by Doshi Levien for Moroso, 2012

Doshi Levien is the London-based design firm of partners Nipa Doshi (born in 1971 in Bombay) and Jonathan Levien (born in 1972 in Elgin, Scotland).

Doshi studied furniture at the National Institute of Design in Ahmedabad, graduating in 1994. Inspired by a meeting with Jasper Morrison, she applied to the Masters program in Furniture Design at the Royal College of Art, where she met Levien. In 1988, prior to launching Doshi Levien, Doshi also worked with craftspeople in India, and SCP and David Chipperfield in London.

At the age of 16, Levien attended cabinetmaking college, before going on to do his B.A. in design at Bucks College in High Wycombe. He entered the Royal College of Art in 1995, and the pair graduated in 1997. That same year, Levien designed cutlery for Dansk in New York and began a three-year stint at Ross Lovegrove’s London studio.

Established in 2000, the studio focuses on the hybrid, exploring the overlap of technology, storytelling, culture, craftsmanship, and industrial design. Its clients include Moroso, Cappellini, Herman Miller, Intel, Camper, and BD Barcelona, among others.

Udine, Italy-based Moroso was founded as a small-scale, artisanal upholstery company in 1952 by Agostino Moroso, who served as director until the 1990s. At that time, Agostino’s children, Roberto and Patrizia Moroso took over and began to transform the traditional, regionally-focused family business into the innovative, internationally renowned furniture manufacturer it is today. In the role of Creative Director, Patrizia Moroso in particular has not only reinvented her company’s mission but also has had a lasting influence on 21^st-century design discourse through her frequent, high profile collaborations with some of the world’s most talented designers. In 1988, while still working under her father, she invited Israeli-British designer Ron Arad to produce his now-iconic Big Easy Chair, which helped to launch his career and set Moroso on a path to become one of the biggest players in contemporary design.

Moroso defines its approach to design as a laboratory for experimentation that underscores the value of communication, differentiation, and diversity. The values embraced by the brand are visible in the daringness of their lines of sofas, chairs, tables, accessories, and more. Highlights from the Moroso collection include Australian designer Marc Newson’s Gluon series (1993), Spanish artist Javier Mariscal’s Los Muebles Amorosos series (1995), British designer Tom Dixon’s Serpentine Sofas (2003), British designer Ross Lovegrove’s Supernatural Chairs, Japanese designer Tokujin Yoshioka’s Bouquet Chairs (2008), Japanese studio Nendo’s Kub Tables (2009), as well more recent additions, such as Arad’s unconventional Glider Sofa (2015) and architect David Adjaye’s Art Deco-influenced Double Zero Chair (2015).  Moroso’s ongoing relationship with Spanish architect-designer Patricia Urquiola has generated a number of highly successful pieces, like the Fjord (2002), Bloomy (2004), Antibodi (2006), Tropicalia (2008), and Fishbone (2012) series. In recent years, Moroso has contributed to a global awareness of African design and craft through the M’Afrique project and collection launched in 2009 in collaboration with Urquiola, Dutch designer Tord Boontje, and other design greats.

In addition to its domestic furniture and accessories output, over the years, the brand has expanded into the hospitality, education, healthcare, and corporate sectors. Drawing on the worlds of industrial design, contemporary art, and fashion, Moroso has also created temporary installations for Venice Biennale (2013), Art Basel Miami Beach (2010), and Palais de Tokyo (2006).