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Vintage Art Deco Ceiling Lamp by Adolf Loos

  • Vintage Art Deco Ceiling Lamp by Adolf Loos 1
  • Vintage Art Deco Ceiling Lamp by Adolf Loos 2
  • Vintage Art Deco Ceiling Lamp by Adolf Loos 3
  • Vintage Art Deco Ceiling Lamp by Adolf Loos 4

About This Piece

Vintage Design

Ceiling lamp with a minimalist design that was used by Adolf Loos in different variations (Cafe Museum, housing Goldmann)

* The cable of this item may be original and might need replacement, if not specified otherwise.

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Adolf Loos
Design Period 1920 to 1949
Production Period 1940 to 1949, 1930 to 1939
Country of Manufacture Austria
Attribution Marks The style of the design is reminiscent of the designer and/or manufacturer, This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Art Deco
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
The vendor has confirmed this piece is in working order.
Restoration and Damage Details Heavy signs of use, Patina consistent with age and use
Product Code VA-561024
Materials Brass
Color Gold
Height 65 cm 65 cm
Diameter 45 cm
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Austria
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Details

  • Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
  • You will receive a tracking number to monitor the status of your shipment.
  • Delivery will take place between 9am and 5pm, Monday to Friday.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Adolf Loos

Architect, designer, and theorist Adolf Loos is among the most influential pioneers of the modern movement and played an active role in the intellectual life of fin de siècle Vienna. Though the number of designs he realized in his lifetime is limited, his many writings and lectures railing against extraneous ornamentation—especially his treatise Ornament and Crime (1910/13)—would impact the course of design history through the generations that followed.

Loos was born in 1870 in Moravia in the Austro-Hungarian Empire, what is now the city of Brno in the Czech Republic. His father was a stonemason, and his mother carried on the business when Loos’s father passed away unexpectedly. The younger Loos went on to study at technical schools, but never graduated.

Between 1893 and 1896, in his mid-20s, Loos adventured to the United States, where he was greatly impressed by the architecture of The Chicago School, including the buildings of Louis Sullivan (who also influenced Frank Lloyd Wright). He went back to Europe in 1896, armed with ideas about the modern era requiring a more minimal, rational aesthetic. Settling in Vienna—one of the world’s most vibrant intellectual centers at the time—Loos found his ideas about decoration at odds with the prevailing tastes, most especially as expressed in the work of the Vienna Secessionists, like Gustav Klimt, Joseph Maria Olbrich, Koloman Moser, and Josef Hoffmann. He was not shy about publicly decrying the expressionist and “decadent” approaches of his contemporaries. For Loos, the form and aesthetics of a design must come from the innate qualities of the materials used—nothing more. (Historians are much kinder to Hoffmann’s geometric ornamentation, in particular, and see it as a direct precursor to modernism.)

Around the turn of the 20th century, Loos worked for legendary Austrian architect Otto Wagner—another early pioneer of modernism—and celebrated the designs of Scottish talents like Charles Rennie Mackintosh. Loos’ design for the Steiner House in Vienna (1910) was one of the first private houses constructed in reinforced concrete and featured strong, pure geometry.

Loos designed few objects, but his famous bentwood and cane Café Museum Chair (1899) remains in production to this day with Thonet and Gebrüder Thonet Vienna. He died in 1933, just as the next generation under his influence—the likes of Le Corbusier, Walter Gropius, Ludwig Mies van der Rohe, and more—were themselves changing the course of design history.

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