Tino Stefanoni, Casali e cipresso, Color Silkscreen

Tino Stefanoni
"Casali and Cipresso"
Color serigraphy
Cm. 50x50
Signed and numbered by hand by the artist on the front
No. of Tir. 150
Opera of exceptional quality, in perfect condition, guarded in the protective folder, not framed.
Complete with certificate of authenticity and origin (signature and dry stamp stamp with photographic reference and numbering).
The images of the framed specimen are for exclusively descriptive purposes.

BIOGRAPHY

Tino Stefanoni (06/07/37 - 02/12/17), born in Lecco, studied at the Liceo Artistico Beato Angelico and the Faculty of Architecture of the Polytechnic of Milan.

For more than fifty years it has been present in the international world of art.

The work of Tino Stefanoni, although not belonging to the strict sense to that of the conceptual art, in fact has always developed in the same research area. He has always looked at the world of the things and objects of everyday life, proposing them in their most disarming obviousness, such as tables of a visual desk or pages of an instruction booklet where the images replace the words.

Unlike the animal world and the vegetable world that are not relevant to man, the world of things is instead the only tangible sign of its existence, and therefore of its ownership, trace of its thoughts and its history where you can Create art and beauty that are not the art and beauty of nature.
It is obvious, in the research, the interest in wanting to present things more than to represent them and, at the same time, to cover them with subtle irony and magic draws from an aseptic operation as in a shiny dream, to speak, which can To live elementarity and mystery together, two elements that by their nature are not at all upcoming but close by counterpoint.
Even in today's paintings, where the canons of classical painting (in the strict sense of the term) are deliberately exasperated in favor of a pictorial teaching (light chiaroscuro color design), it always turns out to be the world of things that, while remaining the resolvent time Of his work, it is naturally charged as metaphysical meanings, the same meanings as the black and gradually defined tract paintings as sinopie of the previous ones.

The enchanted disenchantment - Painting as an object - The status of facts - Ironia Objective - The illusion revealed - Platonic loves - Emoticon - metaphysics of daily - Irony Poetry and so is - magical conceptuality - The enigma of obvious - Painting of the mind, are some significant titles of texts written on his work. The fake enchantment, therefore, of his seemingly classical painting, disguises the lyrical-conceptual moment of his work all rigorously rational and, for absurd, << sentimentally rational >>, to the point of wanting to stress that painting is nothing but a Object for the mind as the chair, the table or the bed are objects for the body.