Pausania Table Lamp by Ettore Sottsass for Artemide, 1982

Born in Innsbruck, Austria in 1917, architect-designer Ettore Sottsass grew up in Milan. He studied architecture at the Polytechnic of Turin, graduating in 1939. As a member of the Italian army, Sottsass spent most of World War II in a Yugoslavian concentration camp. After the war, he returned to Milan and opened his first studio in 1947. Like most Italian designers in these years, he focused on activities to help the postwar reconstruction efforts, including exhibition design.

In 1958, he began working with Olivetti, for whom he designed multiple landmark objects—including Valentine, the brand’s iconic 1969 red plastic typewriter—and transformed the large, cold electronics and office machinery of the day into playful, accessible objects of desire.

During the 1960s, Sottsass spent time in both India, where he was deeply affected by the country’s vibrant colors and mythologies, and the U.S., where he embraced pop art culture. These influences can be seen in Sottsass's ceramic designs through the rest of his life.

In 1973, he cofounded Global Tools, an experimental design collective, alongside Gaetano Pesce, Alessandro Mendini, and others. During the ’70s, he collaborated with Alessi, Baccarat, and Knoll, designing everyday items like condiment sets and decanters. Other manufacturers that Sottsass designed for include Artemide, Bitossi, O-Luce, Poltronova, Skipper, Stilnovo, and Zanotta.

In 1980, he formed the architecture/design firm Sottsass Associati. In 1981, he founded the Memphis Group, an influential, flamboyant design firm known for its brightly colored post-modern furniture, ceramics, and lighting. He remained with the Group until 1985, at which point he turned his attentions again to architecture. He died at the age of 90.

Legendary Italian lighting manufacturer Artemide was founded in the Milan area in 1959 by engineer-designer Ernesto Gismondi (born in San Remo, 1931) and designer Sergio Mazza (born in Milan, 1931). Notably, the latter designed the company’s first successful product, the Alfa Lamp, a year prior to Artemide’s launch. Both founders went on to contribute designs to Artemide’s ever-evolving lines over the next several decades, alongside spearheading the company’s mission to develop distinctive, architecturally-driven lamps, pendants, and other fixtures in collaboration with major design talents from around the world.

Highlights from Artemide’s vast catalogue include Italian designer Vico Magistretti’s space-age Eclisse Lamp (1967) and German-Italian designer Richard Sapper’s minimal, halogen-lit Tizio Desk Lamp (1972), which has become one of the most popular workspace accessories ever produced. The 1980s saw the launch of the Tolomeo Lamp (1987), designed by Italians Michele De Lucchi and Giancarlo Fassina, which quickly became an international symbol of the “Made in Italy” style that dominated design tastes at the end of the last century. Today, Artemide continues to commission high-tech, high-concept works—increasingly with a focus on sustainability—from notable international designers, such as Herzog & De Meuron, Naoto Fukasawa, Karim Rashid, and Zaha Hadid, among others. Through the decades, many of Artemide’s lighting designs have been awarded the prestigious Compasso d’Oro, with the company itself receiving a “Career Achievement” award in 1995

For more than 50 years, Artemide’s approach has set the pace for design innovation with well-researched products that often end up in the pages of design history books. Numerous pieces have been acquisitioned into museum collections around the world, from New York’s Museum of Modern Art and Metropolitan Museum of Art, to the Victoria & Albert Museum in London, Museo Nazionale della Scienza e della Tecnica in Milan, Galleria Nazionale d’Arte Moderna in Rome, and the Centre Pompidou in Paris.