Large Glass Vase by Tapio Wirkkala for Rosenthal, 1950s

Designer and sculptor Tapio Wirkkala was born in Hanko, Finland in 1915. During the 1920s, he moved with his family to Helsinki, where he went on to study ornamental sculpture at the Central School of Arts and Crafts from 1933 to 1936. Best known for furniture and glassware pieces, his output was prolific—he designed sculptural wooden bowls, plywood objects, silver pieces (most notably for Christofle), exhibition pavilions (including the Finnish installations at the 1951 and 1954 Milan Triennales, for which he earned the Grand Prix on both occasions), and everyday items such as banknotes and cutlery. During his career, Wirkkala also designed glass for  and porcelain for Rosenthal. His earlier designs embraced the utilitarian beauty of Finnish Functionalism, but from the 1950s drew inspiration from natural forms.

In 1946, Wirkkala entered a glass design competition organized by Iittala, and shared first prize with Kaj Franck. In 1947, he became the artistic director of Finnish glass factory Iittala Glassworks; his relationship with the company would continue throughout his lifetime. Between 1955 and 1956, Wirkkala worked for industrial designer Raymond Loewy in New York. In 1956, he became artistic director of A-Studio, the design studio of A. Ahlström in Helsinki. In 1966, he established his own studio, Design Tapio Wirkkala.

Wirkkala’s work has been exhibited broadly and is included in esteemed collections around the world, including the National Museum of Modern Art, Tokyo; the Museum of Modern Art and the Metropolitan Museum of Art, both New York; Victoria & Albert Museum, London; Bayerisches Nationalmuseum, Munich; the Nationalmuseum, Stockholm; the Royal Museum, Edinburgh; and the Corning Museum of Glass, in Corning, New York.

Wirkkala passed away in Helsinki in 1985.

German porcelain manufactory Rosenthal was originally founded as a ceramics-painting studio by Philipp Rosenthal Sr. (1855-1937) in 1879 at Schloss Erkersreuth in Bavaria, near the Czech border. Its first highly popular product was an ashtray inscribed with the words “Resting place for lit cigars.” In 1890, the company moved to the neighboring hamlet of Selb and, a year later, began to manufacture its own porcelain, since white porcelain was, at that time, in short supply. Rosenthal’s first complete table service was called Empire; it was exhibited along with other lines at Paris’s Exposition Universelle in 1900.

With the dawn of the 20th century, Rosenthal began producing porcelain tableware and services formed and decorated in the latest styles, like the Jugendstil Botticelli (1903), the Art Nouveau Darmstadt (1905), and the all-white Maria (1916) lines. Successes with this au courant approach led the company to launch an art pottery division in 1910, dedicated to luxury tableware, vases, and other decorative objects. By the 1930s, figurines were another important Rosenthal product, most notably the Disney-licensed Mickey Mouse pieces introduced in 1931.

In 1934, Philipp Rosenthal was forced to leave his company and country when his Jewish ancestry came under persecution by the Nazi regime. Despite the loss of its founder, the Rosenthal company remained the premier supplier of high-quality porcelain tableware to the Third Reich. After the war, in 1950, Philip Rosenthal Jr. (1916-2001) joined his father's company as an advertising manager. By 1958, he had become its CEO, continuing his father’s vision to produce high-quality porcelain in line with progressive tastes. Through the rest of the 20th century, Rosenthal was the most commercially successful porcelain producer in Germany.

In the postwar era, Rosenthal’s most famous tableware lines have included 2000 by Raymond Loewy and Richard Latham (1954), Magic Flute by Bjørn Wiinblad (1959), Suomi by Timo Sarpaneva (1976), and Moon by Jasper Morrison (1997). The company has enjoyed many popular and critically acclaimed collaborations with designers and brands, like Salvador Dalì, Tapio Wirkkala, Walter Gropius, Andy Warhol, Ron Arad, Enzo Mari, Konstantin Grcic, and Versace.

Rosenthal's product lines have encompassed more than ceramics over the years. In 1972, the company began producing furniture, under the subsidiary Rosenthal Einrichtung, in Espelkamp, Germany. Standouts from this arm of Rosenthal include Gunter Ferdinand Ris and Herbert Selldorf’s futuristic Sunball Lounge Chair (1969), Verner Panton’s Relaxer Rocking Chair (1974), Burchard Vogtherr's Vario Pillo Sectional Sofa (1970s), Vico Magistretti’s lightweight Faun Chair (1970s), and Erwin Nagel’s multifunctional Quadrondo Table (1980s). Later, Rosenthal focused on the production of high-quality office furniture, as well as decorative accessories for private interiors.

In 1997, Rosenthal became an independent arm of the Waterford Wedgwood holding company, but in 2009 faced bankruptcy as the Irish parent began to fall apart. At this time, Rosenthal was sold to Italian housewares group Sambonet Paderno Industrie. Unfortunately, Rosenthal Einrichtung was desolved and only a limited archive of the company's archive was kept intact.

Today, Rosenthal GmbH offers a small, exclusive range of furniture options under the label of Rosenthal Interieur, alongside its classic porcelain and tabletop collections.

* All images courtesy of Rosenthal GmbH.