Green Roses is an original lithograph realized by Ennio Morlotti in the early 1980s. Hand-signed on the lower right margin: Morlotti. Specimen D/Z. Fine artwork representing a bouquet of green roses. Floral creation by the Italian painter Ennio Morlotti (Lecco,1910-Milan,1992), whose favorite subjects of his paintings were landscapes, still lives, figure studies, olive trees and cactuses. In 1937 he stayed for a short time in Paris where he came into contact with the great protagonists of European art, from Cezanne to Fauvisme to the Expressionism of Soutine and Rouolt. At the Exposition Universelle de Paris he got to know Picasso's work, Guernica, by which he was greatly impressed. On his return to Italy he moved to Milan and entered the Brera Academy of Fine Arts. Lately, he joined the group of painters of Corrente with Ernesto Treccani, Renato Guttuso, Renato Birolli. After a second stay in Paris in 1947, he participated in the movement of the New Front of the Arts. Immediately after the XXIV Venice Biennale of 1948, where he exhibited together with all the artists of the New Front of the Arts, he defined his position, and together with Birolli it detaches itself from the ''realist'' members of the group. It was in the 1950s that he produced some of the greatest works of informal art, not only Italian, but also European, certainly connected to the experience of authors such as Wols, Fautrier, De Stael, but also Pollock and De Kooning. In 1962 he won the prize reserved for an Italian artist, ex equo with Capogrossi. The artwork is a creation by the Italian painter Ennio Morlotti (Lecco,1910-Milan,1992), whose favorite subjects of his paintings were landscapes, still lives, figure studies, olive trees and cactuses. In 1937 he stayed for a short time in Paris where he came into contact with the great protagonists of European art, from Cezanne to Fauvisme to the Expressionism of Soutine and Rouolt. At the Exposition Universelle de Paris he got to know Picasso's work, Guernica, by which he was greatly impressed. On his return to Italy he moved to Milan and entered the Brera Academy of Fine Arts. Lately, he joined the group of painters of Corrente with Ernesto Treccani, Renato Guttuso, Renato Birolli. After a second stay in Paris in 1947, he participated in the movement of the New Front of the Arts. Immediately after the XXIV Venice Biennale of 1948, where he exhibited together with all the artists of the New Front of the Arts, he defined his position, and together with Birolli it detaches itself from the ''realist'' members of the group. It was in the 1950s that he produced some of the greatest works of informal art, not only Italian, but also European, certainly connected to the experience of authors such as Wols, Fautrier, De Stael, but also Pollock and De Kooning. In 1962 he won the prize reserved for an Italian artist, ex equo with Capogrossi.
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