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Coat Rack by Coen de Vries for Devo, 1950s

  • Coat Rack by Coen de Vries for Devo, 1950s 1
  • Coat Rack by Coen de Vries for Devo, 1950s 2
  • Coat Rack by Coen de Vries for Devo, 1950s 3
  • Coat Rack by Coen de Vries for Devo, 1950s 4
  • Coat Rack by Coen de Vries for Devo, 1950s 5
  • Coat Rack by Coen de Vries for Devo, 1950s 6
  • Coat Rack by Coen de Vries for Devo, 1950s 7
  • Coat Rack by Coen de Vries for Devo, 1950s 8

About This Piece

Vintage Design

- Modernist coat rack designed by Coen de Vries in 1956 for Devo
- Original 1st edition with the round metal frame
- Later editions by Pilastro have a squared metal frame
- Comes with the original plastic coated hooks in red and yellow and the hat rack
- Minimalistic and space saving design which are becoming increasingly rare
- In good original condition, some normal wear due to time and usage
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Coen de Vries
Manufacturer Devo
Design Period 1950 to 1959
Production Period 1960 to 1969
Country of Manufacture Netherlands
Attribution Marks This piece is a well-known design that is well documented in general design literature
Style Minimalist, Modernist
Detailed Condition Very Good — This vintage item has no defects, but it may show slight traces of use.
Restoration and Damage Details Light wear consistent with age and use
Product Code BPT-464517
Materials Metal, Plastic
Color Black, red, yellow
Width 74 cm 74 cm
Depth 26 cm 26 cm
Height 199 cm 199 cm
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Netherlands
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Coen de Vries

Dutch industrial designer Coen de Vries was born in The Hague in 1918. From 1940 until 1946, he studied interior design at the Royal Academy of Fine Arts in The Hague under Dutch designer Cor Alons (1892-1967). During this time, he also studied on exchange at the Institute of Applied Art (IvKNO) in Amsterdam under visionary architect Mart Stam (1899-1986) and functionalist architect-designer Johan Niegeman (1902-1977). After graduating in 1946, de Vries became a member of the Amsterdam group known as “De 8” from 1947 until 1949. Founded in 1927, De 8 was an architectural avant-garde association that consisted initially of rationalist architects who were educated in the spirit of the Amsterdam School, such as Benjamin Merkelbach (1901-1961), Charles Karsten (1904-1979), and Han Groenewegen (1888-1980).

After graduating, de Vries established his own store named De Sleutel (The Key) in Amsterdam. Here he produced and sold his own designs as well as others, making him the first Dutch interior architects to do so. He produced practical, yet modern furniture at an affordable price in light woods with simple construction and upholstered in brightly colored fabrics.

The philosophy behind De Sleutel was in line with the views propagated by the Stichting Goed Wonen. Like many of his Dutch post-war contemporaries, de Vries was also a member of this Dutch organization. Founded in 1946, the Stichting Goed Wonen (Good Living Association) was a design and industry partnership that was committed to postwar reconstruction and quality-of-life improvements through good design. The group forged many strong collaborations between artists, designers, architects, manufacturers, and customers, which resulted in widespread interest in modernist design principles and aesthetics in the Netherlands. Between 1952 and 1961, de Vries designed five houses for the association in the cities of Weesp (1952-1953), Amsterdam (1956 and 1958-1959), The Hague (1957), and Utrecht (1961). In addition to his work for Goed Wonen, de Vries was often commissioned for the construction of private residential buildings and renovations of interiors.

Over the course of his career de Vries worked as an industrial designer for various manufacturers including Bruynzeel Cabinets, Devo, Eeka Furniture, Everest, Fröscher, Gispen, and Pilastro. De Vries’ work - which spans tables, desks, sofas, and accessories - includes a Model LV1 Coat Rack for Pilastro (1953), a desk in birch with an ebonized x-base for Devo (1954), the Delta Series for Lips (1959), the No. 1451 Chair for Gispen (1967).

Notably, from 1966 to 1972, de Vries was a member of the Council for the Arts, a national advisory board to the Minister of Culture, and from 1977 to 1980 he was a member of the Committee on Architecture of the Amsterdam Arts Council.

 

£1,271
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