Bottle and Stopper in Corroso Layered Murano Glass in Green and Amethyst attributed to Seguso

The seller assumes all responsibility for this listing.

About This Piece

Vintage Design

Seguso's only tall bottle, which uses a technique called Corroso, in which the glass is textured with hydrofluoric acid and sawdust. A technique used by Carlo Scarpa and Seguso. The bottling is flat and square in shape, made with jacketed green amethyst. A layering of colors called camiciato. The color combination is instead called Mezzantint, where the combination of two layered colors allows you to obtain a unique color of the glass, otherwise not possible with classic glass pigments. Unique shape, color and texture. A rare piece. It bears the original label, the green color and the techniques are typical of Seguso Vetri d'Arte. This texture makes this exceptional piece fit perfectly with the era and style of brutalism.

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Creator	Carlo Scarpa
Manufacturer	Seguso
Design Period	1960 to 1969
Year	1960
Production Period	1960 to 1969
Country of Manufacture	Italy
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Vintage
Detailed Condition	Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Restoration and Damage Details	Light wear consistent with age and use, Condizioni incontaminate.
Product Code	NZJ-2066619
Materials	Glass, Murano Glass, Amethyst
Color	Green, mauve
Width	12 cm 11.5 cm
Depth	7 cm 7 cm
Height	32 cm 31.5 cm
Weight Range	Standard — Between 40kg and 80kg

Shipping & Delivery

Ships from	Italy
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Product Safety Information

EU Responsible Person	Pamono GmbH Uhlandstr. 175 10719 Berlin
Additional Product Safety Information	Glass, handle with care. Keep away from children.

About the Creator

Carlo Scarpa

Born in Venice in 1906, Carlo Scarpa studied architectural design at the Royal Academy of Fine Arts in Venice. After graduating in 1926, he taught architectural drawing at the Academy, where he held multiple posts throughout his life. At the same time, Scarpa launched his career as an industrial and interior designer, creating multiple designs for Venini Glass Works in Venice. His most recognized pre-war project, however, was the 1935 restoration and renovation of the School of Economics at the University of Venice. His post-war commissions consisted primarily of historic building renovations, interior remodeling, and exhibition installations, often revealing the influence of Art Nouveau, Frank Lloyd Wright, and Josef Hoffmann.

Scarpa’s architecture is characterized by a great sensitivity to the changes of time. Important projects include the Canova Plaster Cast Gallery in Possagno (Treviso) (1955-1957); Olivetti showroom in Piazza S. Marco, Venice (1957-1958); and the Banca Popolare di Verona, which Scarpa began in 1973, and which was completed after his death by Arrigo Rudi.

He created multiple landscape, garden, and building designs across Italy, as well as in Canada, the U.S., Saudi Arabia, Switzerland, and France. He died in Japan in 1978. He is buried, fittingly, in the Brion Tomb complex in the San Vito d'Altivole (Treviso) cemetery—a 1969 Scarpa design that some call his most important work.