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Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2

  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 1
  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 2
  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 3
  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 4
  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 5
  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 6
  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 7
  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 8
  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 9
  • Bar Stools by Piet Hein for Fritz Hansen, 1960s, Set of 2 10

About This Piece

Vintage Design

- Pair of high bar/kitchen stools with chrome-plated metal frame
- Mounted on round aluminum foot
- Seat originally upholstered in cognac-colored leather
- Designed in 1961 by Piet Hein
- Produced by Fritz Hansen
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Piet Hein
Manufacturer Fritz Hansen
Design Period 1960 to 1969
Production Period 1960 to 1969
Country of Manufacture Denmark
Attribution Marks This piece is a well-known design that is well documented in general design literature
Literature Sources Noritsugu Oda, Danish Chairs, Page 76
Style Vintage, Mid-Century, Scandinavian Modern
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
Restoration and Damage Details Light wear consistent with age and use, Patina consistent with age and use
Product Code ZYF-420455
Materials Aluminum, Leather
Color Brown, silver
Height 80 cm 80 cm
Diameter 35 cm
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Spain
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Piet Hein

Danish scientist, mathematician, inventor, artist, designer, philosopher, and poet Piet Hein was born in Copenhagen in 1905. Despite his brilliance—or because of it— he never completed a degree. He first enrolled in philosophy courses at the Metropolitan School (Metropolitanskolen) of Copenhagen, but left soon after to study art at a private academy and eventually the Royal Swedish Academy of Fine Arts (Kungliga Akademien för de Fria Konsterna) in Stockholm.  Then, he returned to Copenhagen to study philosophy and theoretical physics at the Institute for Theoretical Physics of the University of Copenhagen (Københavns Universitet)—which would later be called The Niels Bohr Institute—and the Technical University of Denmark (Danmarks Tekniske Universitet). Hein’s diverse educational background facilitated his life’s work, which straddled the line between art and science.

During World War II, Hein joined the Danish resistance to the German occupation and began to publish a series of poems in the daily newspaper, Politiken, under the pseudonym Kumbel Kumbell. These grooks—or Danish poems—were often coded messages to the Danish people not to succumb to evil, and generally contained philosophical advice on the art of living. He would go to publish thousands over his lifetime.

In the postwar era, Hein invented the superellipse—an advanced geometrical figure that combined the ellipse and rectangle—which he derived through the mathematics. Hein first used the superellipse to solve a traffic problem in Stockholm’s Sergel’s Square, in the form of an elliptical roundabout. The new oval-like shape was quickly adopted by postwar Scandinavian architects, and it has since then been used in buildings and urban planning worldwide, from Canada, Mexico, and the US, to France, Japan, and beyond.

Hein also used the superellipse in his industrial designs, including the Superellipse Tables (1968), designed in collaboration with Swedish architect-designer Bruno Mathsson (1907-1988) and Danish architect-designer Arne Jacobsen (1902-1971) for the Danish manufacturer Fritz Hansen.

Other designs in Hein’s repertoire include sculptures, such as the Helix Helios Sundial (1989); various board games, such as Soma (1933) and Con-Tac-Tix (1942); and lighting fixtures, such as the Ra Lamp (1931) and Funco Table Lamp (1933). Hein’s Super-Egg (1965) is another elliptical design that has taken many different forms, including children’s toys, houseware, and lighting fixtures.

Throughout his life, Hein worked with and befriended several intellectual luminaries, including American mathematician Norbert Wiener, Danish physicist Niels Bohr, Albert Einstein, and Charlie Chaplin. Hein received many awards and accolades, including the Aarestrup Medal (1969), the Danish ID Prize (1971), and Chapter of the Royal Danish Order of Chivalry (1989), among many others. In 1972, Yale University award Hein an honorary doctorate degree. Hein passed away in 1996.

About the Maker

Fritz Hansen

Danish cabinetmaker Fritz Hansen founded his eponymous furniture manufacturing company with his son Christian in Copenhagen in 1885. The first three decades were dedicated to hand-making wood and iron frames for upholstered furniture. In 1915, however, Christian began to introduce industrial processes, such as steam-bending wood, which enabled the family business to mass-produce at a larger scale.

In 1932, Christian brought in his own sons, Fritz and Søren, who updated the product line to include more modernist styles, like Søren’s Thonet-inspired DAN Chair (1930) and a cantilevered wicker and tubular steel chair by architect Mogens Lassen (1933). Other early classics in the Fritz Hansen catalog include Kaare Klint’s Church Chair (1936), Hans Wegner’s China Chair (1944), and Børge Mogensen’s Spoke Back Sofa (1945).

During the 1950s—thanks especially to the contributions of architect Arne Jacobsen—Fritz Hansen entered its golden era, creating some of the most iconic Scandinavian designs of the 20th century. Arne Jacobsen’s Ant Chair (1952), Swan Sofa (1958) and Egg Chair & Ottoman (1958), as well as later designs by Verner Panton, Piet Hein, and Grete Jalk, all helped to cement Fritz Hansen’s legacy as one of the most beloved producers of high quality, simple-yet-elegant, Danish modern furniture.

In 1979, after 107 years of family ownership, Fritz Hansen was bought out by Skandinavisk Holding and is now known as The Republic of Fritz Hansen. Pieces from the company’s long history can be found in nearly every design museum collection there is, from MoMA and Cooper Hewitt in New York to the Powerhouse Museum in Sydney. Arne Jacobsen’s collaboration with Fritz Hansen was the subject of the Siéntate Siéntete exhibition, hosted by the Chamber of Architects in Madrid in 2010.  

 

* All images courtesy of Republic of Fritz Hansen.

£2,114
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