Alphabet Water Pitcher by Formafantasma
The Exceptional

About This Piece

Exceptional Contemporary Design

Another stunning collection from the thoughtful and sophisticated design duo Formafantasma. Commissioned by Vienna’s MAK museum and crafted by Lobmeyr’s master artisans, the studio’s latest project will infuse your dining table with the refinement of the Biedermeier era.

Once the summerhouse of a wealthy Viennese banker—and now a part of the Museum of Applied Arts (MAK)—the Geymüllerschlössel is a spectacular example of haute bourgeoisie taste at the turn of the 19th century. MAK’s head curator Thomas Geisler invited Formafantasma to create a site-specific installation that engages the storied beauty of this landmark villa (built 1808) and explores the impact of the early Industrial Revolution on domestic interiors. The Alphabet collection, produced by 150-year-old Austrian glass company Lobmeyr, represents the next step in this fascinating project.

The beautiful Alphabet Water Pitcher was created to compliment the individual Alphabet Water and Wine Glasses. Each are engraved with one of 12 patterns inspired by the villa’s Biedermeier interior and Lobmeyr’s rich archives. The glasses are intended to be presented upside down and one inside the other. Like a crystal cloche used to cover a small treasure, the bigger glass protects the smaller one and the two engraved patterns combine to form a new design. The thin lines of gold painted on the rim of each glass mark the perfect positioning. This collection highlights the pleasure of diversity within a set of objects while revisiting the rules of table setting.

Designer	Formafantasma
Manufacturer	Lobmeyr
Design Period	From 2000
Country of Manufacture	Austria
Attribution Marks	Signed on the Underside
Style	Contemporary, Hand-Crafted
Product Code	LIG-62521
Additional Information	Made to Order
Materials	Glass
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Dealer	J. & L. Lobmeyr GesmbH
Manufacturing Time	We will contact you in regards to lead time when the order is placed.
Ships from	Austria
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns	Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Designer

Formafantasma

Italian designers Andrea Trimarchi, born in 1983, and Simone Farresin, born in 1980, work together under the name Formafantasma. The pair’s collaboration began while in they were studying for their B.A.s in communication design, and their passion for product design flourished as they pursued the IM Master's course at the Design Academy Eindhoven. The duo graduated in 2009 with a combined thesis focused on traditional Sicilian folk craft. They continued to live and work in Eindhoven until 2014, when they relocated to Amsterdam.

Formafantasma’s designs consider a diverse set of issues, including the relationships between traditional, local, and global cultures; the relationship between man and nature; and the role of design in folk craft. In their shared love of and investigation into craftsmanship, Formafantasma has explored 18^th- and 19^th-century techniques and materials, and consistently experimented with unusual media, from bread and sea sponges to salmon skin and fur.